偶的世界．偶的魅力

展覽頁面呈現形式

橫式

策展者

Teri Silvio 司黛蕊

中研院民族所博物館

展覽封面

78bc1811613c341cb9975210b32b069f

展覽資料

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They are worshiped in Chenghuang Temple 城隍庙. Both geenrals are responsible for grabbing evil spirits of dead people to the judge. They always walk in the front of the parade whenever there is one starting from Chenghuang Temple (NCL).", "primaryObj": { "oid": "5bd98cbb3e396ba18ff56aefb35bea7d", "title": "（臺灣風俗）臺灣祭祀典禮的大人偶/（臺灣風俗）臺灣祭祀典禮的大人偶", "desc": "[英文]The cancellation stamp on the back indicates the year Taisho 14, or 1925 七爺八爺因其外型又稱作長爺短爺（高爺矮爺），又叫黑白無常鬼，習慣上又稱為謝、范二將軍，從祀在城隍廟，專押解人犯去神祗前審判，凡是城隍出巡賽會，必為行列的最前端。 Englisha Translation:The masked generals xie 谢将军 and Fan 范将军 on this postcard are known as Long 长爷 and Short 短爷, also named as White Grim Reaper 黑无常 and Black Grim Reaper 白无常. They are worshiped in Chenghuang Temple 城隍庙. Both geenrals are responsible for grabbing evil spirits of dead people to the judge. 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"imgs-ngefarlrm2-h3y6m6b45x": { "id": "imgs-ngefarlrm2-h3y6m6b45x", "title": "鹿港天后宮媽祖公仔", "desc": "", "primaryObj": { "oid": "9eb2cf3c2ac9a6ed7c6790c7c24db875", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/a1aacfdc44f21bdc6326727cfae40bcc.jpg?itok=iTjiptXR", "level": "primary", "title": "鹿港天后宮媽祖公仔", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/a1aacfdc44f21bdc6326727cfae40bcc.jpg?itok=nHsKSCjS", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/a1aacfdc44f21bdc6326727cfae40bcc.jpg?itok=SvTtgJI1", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/a1aacfdc44f21bdc6326727cfae40bcc.jpg?itok=41OavHtq", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/a1aacfdc44f21bdc6326727cfae40bcc.jpg?itok=lFIU7YAF", "mfid": "a1aacfdc44f21bdc6326727cfae40bcc", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "鹿港天后宮", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "sortable": true, "type": "imgs-child", "weight": 7 }, "imgs-ngefarlrm2-4so5mum3w2": { "id": "imgs-ngefarlrm2-4so5mum3w2", "title": "M&Ms神明公仔", "desc": "Mars公司的M&Ms糖果logo角色與中國神明的crossover，2011年購於萊爾富便利超商。\nCrossover of the Mars M&Ms logo characters and Daoist gods, purchased at Hi-Life convenience store, Taipei, 2011.", "primaryObj": { "oid": "1ecb7373e431a3fdcdeb539841dd48f8", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/ae4cab11f19af51a4a31e3ab3818ed2f.jpg?itok=F7sLMgVF", "level": "primary", "title": "M&Ms神明公仔", "desc": "Mars公司的M&Ms糖果logo角色與中國神明的crossover，2011年購於萊爾富便利超商。\nCrossover of the Mars M&Ms logo characters and Daoist gods, purchased at Hi-Life convenience store, Taipei, 2011.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/ae4cab11f19af51a4a31e3ab3818ed2f.jpg?itok=6EUY2VRN", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/ae4cab11f19af51a4a31e3ab3818ed2f.jpg?itok=kzjuJZ3_", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/ae4cab11f19af51a4a31e3ab3818ed2f.jpg?itok=3ftp-XCA", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/ae4cab11f19af51a4a31e3ab3818ed2f.jpg?itok=q2Y4EZTI", "mfid": "ae4cab11f19af51a4a31e3ab3818ed2f", "musicURL": "", "musicName": "", "fileCreator": "HOT DOG TOYZ", "rights": "HOT DOG TOYZ", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, "sortable": true, "type": "imgs-child", "weight": 8 }, "imgs-ngefarlrm2-atz4u7587b": { "id": "imgs-ngefarlrm2-atz4u7587b", "title": "好耶公仔", "desc": "這套「好耶公仔」是財團法人卓越藝術傳播基金會為了淡江教會的復活節活動而設計製造的。This set of cute plaster figurines show Jesus as he appears in different Bible parables – as a healer, providing loaves and fish, as the “good shepherd,” and as a “fisher of men.” The figurines were given away during the Easter season by a Protestant church in Danshui, in exchange for proof of purchase at participating shops in the community.", "primaryObj": { "oid": "421224e8003d98a4202089997b16cdb9", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/05e9ed631d4987582bfb795f571a02d2.jpg?itok=2bmraxjM", "level": "primary", "title": "好耶公仔", "desc": "這套「好耶公仔」是財團法人卓越藝術傳播基金會為了淡江教會的復活節活動而設計製造的。This set of cute plaster figurines show Jesus as he appears in different Bible parables – as a healer, providing loaves and fish, as the “good shepherd,” and as a “fisher of men.” The figurines were given away during the Easter season by a Protestant church in Danshui, in exchange for proof of purchase at participating shops in the community.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/05e9ed631d4987582bfb795f571a02d2.jpg?itok=36EDJsgY", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/05e9ed631d4987582bfb795f571a02d2.jpg?itok=8Nzz2bnR", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/05e9ed631d4987582bfb795f571a02d2.jpg?itok=-HZb60Vi", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/05e9ed631d4987582bfb795f571a02d2.jpg?itok=sJ3vS5iU", "mfid": "05e9ed631d4987582bfb795f571a02d2", "musicURL": "", "musicName": "", "fileCreator": "財團法人卓越藝術傳播基金會", "rights": "財團法人卓越藝術傳播基金會", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "sortable": true, "type": "imgs-child", "weight": 9 } }, "musicName": "無", "weight": 1, "primaryObj": { "oid": "3eb5d44fb2cb24cda8c66f166b9855a2", "title": "岩偶", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/5e7af93e4664d37bc63ea323a53da504.jpg?itok=vl_O_9ec", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/5e7af93e4664d37bc63ea323a53da504.jpg?itok=4klA2rkQ", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/5e7af93e4664d37bc63ea323a53da504.jpg?itok=4F6yauqm", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/5e7af93e4664d37bc63ea323a53da504.jpg?itok=8Q_Ow6RQ", "mfid": "5e7af93e4664d37bc63ea323a53da504", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/5e7af93e4664d37bc63ea323a53da504.jpg?itok=cPXs2wNM", "fileType": "image", "fileCreator": "", "rights": "東京國立博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示", "fileDisableLink": "0", "fileOversize": false, "level": "primary" }, "desc": "<div><span>在許多文化中，人形極少被使用於藝術的呈現，像是猶太教、基督教、伊斯蘭教的一些教派，對於人形的使用是全然禁止的。在其他文化中，只有特定的人物形象被視為禁忌。有一些文化禁止製造或觀看亡者、統治者的圖像，或是規定人的形象只能依特定風格或使用特定材料來製作。\n<br><br>但以漢人文化古往今來的藝術實踐而言，無論生、死、想像的「人形」呈現，在形制與功能上都是相當普遍且多元的。<br><br>本展覽試圖探究「偶」這一種人形藝術呈現的文化意涵。</span><br></div>", "title": "多元再現", "musicText": "", "musicURL": "" }, "text-9pop0kqwjv": { "id": "text-9pop0kqwjv", "type": "text", "sortable": true, "musicName": "無", "weight": 2, "title": "「偶」的意義與新解", "desc": "<div><span><div>在古文中，「偶」字原為「複製」或「雙倍」之意，其部首是人部，在現代中文裡面用以指稱各種形式的立體人形，例如「木偶」，而福佬話當中的「尪仔」（ang-a），也與「偶」的意思相近。<br><br></div><div>本展覽透過全新的視角，探索「偶」在華語世界中多元的形式、功能與意義。我們將看到不同形式的「偶」：為宗教崇拜而製作的雕像、木偶、玩具等。這些「偶」再現的角色被人們認為具有不同的「本體」（也就是存在狀態的層次與種類），包含歷史人物、神祇以及虛擬角色。</div><br></span><br></div>", "musicText": "", "musicURL": "" }, "text-tc9wyr8d8u": { "id": "text-tc9wyr8d8u", "type": "text", "sortable": true, "musicName": "無", "weight": 3, "title": "關於偶的思考", "desc": "這些擬人化的偶結合了人與非人、物質與非物質的元素，透過觀察這些偶的形制<span>，以及人們如何製作偶、與偶互動，我們可以從而思考「是什麼讓我們成為了人？」以及「<b>是什麼讓物品等於『非人』不成為人？</b>」\n<br><br>從人類學的角度來研究偶，我們可以深入了解漢人文化的過去與現在，策展人司黛蕊在這裡提供了一些有趣的問題，邀請展覽觀眾在觀展時思考：</span>", "musicText": "", "musicURL": "" }, "text-h8ohgelviw": { "id": "text-h8ohgelviw", "type": "text", "sortable": true, "musicName": "無", "weight": 4, "desc": "<ul><li><span>在不同的年代中，<b>偶的形制、功能與意義發生了哪些變化？</b></span></li></ul><b><br></b><ul><li>偶是一種再現人的媒介，因此我們可以<b>透過偶來探討</b>，在<b>不同年代、區域的漢人，如何思考人的意義</b>？例如觀察人們在不同的偶上呈現了哪些人性樣態：是生命力？個性？社會角色？或是人的心理情緒？</li></ul><br><ul><li>偶既是一種物品也是一種再現，我們可以透過偶來提問：<b>漢人是如何看待「物」的？</b>例如人們會用哪些材料製作哪種偶？或是不同社會功能的偶各有哪些形式與風格？</li></ul><br><ul><li>有些偶看起來有自己的生命，<b>他們的「生命」是如何被創造的？</b>一個「活生生」的人形之物可以引發我們思考何謂「生命」與「能動」。</li></ul><br><ul><li><b>人們是如何與偶互動的？</b>而這又與真人之間的互動有哪些異同？</li></ul><br>       <br>       讓我們懷揣這些提問，從一位在漢人文化相當具有代表性的人物說起...", "musicText": "", "musicURL": "" }, "theme-ma744ph0s7": { "id": "theme-ma744ph0s7", "type": "theme", "sortable": true, "primaryObj": { "oid": "e3576a382d18edad446e0251807228a7", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/cc8147ebed127af8b503804086d43083.jpg?itok=i94z6_Hd", "level": "primary", "title": "關公的多元形象", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/cc8147ebed127af8b503804086d43083.jpg?itok=jbZ30UH7", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/cc8147ebed127af8b503804086d43083.jpg?itok=YTxgR71b", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/cc8147ebed127af8b503804086d43083.jpg?itok=n6OZ5oSh", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/cc8147ebed127af8b503804086d43083.jpg?itok=N0-w0Tee", "mfid": "cc8147ebed127af8b503804086d43083", "musicURL": "", "musicName": "", "fileCreator": "Bali Nangavulan", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, "title": "偶的脈絡──關公", "desc": "<div>現在的台灣漢人大多數信奉民間宗教，這種宗教信仰可上溯至中國西元前2世紀的漢人群體，在中國大陸，這種宗教持續發展到1960年代文化大革命，1980年代後也在不同地區有一些復興。<br><br>台灣漢人的民間宗教與中國帝制歷史時期的情況相似，結合了佛教與道教的內容；不過也有人奉行佛、道融合程度較低的教義。整體而言，民間宗教的信仰與實踐因著時代與地區而各有不同。</div>", "musicName": "無", "weight": 5, "musicText": "", "musicURL": "" }, "imgs-8oizoba79v": { "id": "imgs-8oizoba79v", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "6d85ed7cfc920b0519c6e26526bec1b8", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/ec1375b84e0ef1b830edb44dd899f3b2.jpg?itok=ko61FCBK", "level": "primary", "title": "神像雕刻圖稿：關聖帝君", "desc": "即關公。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/ec1375b84e0ef1b830edb44dd899f3b2.jpg?itok=1wnLIA32", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/ec1375b84e0ef1b830edb44dd899f3b2.jpg?itok=WuD1jDRW", "thumbBigURI": 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"musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/735b9dfe2951444e2076bc693da1907e.jpg?itok=dArNNkmQ", "fileType": "image", "fileCreator": "", "rights": "Teri Silvio 司黛蕊", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false, "level": "primary" }, "desc": "<div>有些人認為，神明公仔就如同傳統的神像，這些收藏者會與他們的神明公仔聊天說話，但不會向公仔點香祭拜；然而其他人則認為「神明公仔只是玩具」並沒有真正的宗教意涵。大部分的消費者則認為神明公仔就像是從寺廟求來的平安符，可以帶來好運、趨吉避凶。</div>", "musicText": "", "musicURL": "", "title": "是玩具還是神像?" }, "imgs-yj3ktguk1v": { "id": "imgs-yj3ktguk1v", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "211e44fdbf86bb94f43a9570ea02506c", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/7fde49aa55314a0a0142579b626bc403.jpg?itok=6DU2iS-s", "level": "primary", "title": "大甲鎮瀾宮媽祖公仔", "desc": "", 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But in 2009, these figurines were very popular.", "primaryObj": { "oid": "547e43ef95c709a7af9aa57843954a1c", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/4e9c144f5cb5bed202cb1c683700925c.jpg?itok=QZr93hDy", "level": "primary", "title": "全國城隍廟聯誼會於2009年農曆過年時發行的公仔系列", "desc": "在2007年全家發行好神公仔系列之前，大部分台灣人不太願意買七爺、八爺的公仔。但到了2009年以後，這個系列的公仔非常受到歡迎。Before 2007, not very many Taiwanese people wanted to buy figurines of “dark” gods such as Lord Seven and Lord Eight, who collect the souls of the dead and bring them to the City God for judgement. But in 2009, these figurines were very popular.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/4e9c144f5cb5bed202cb1c683700925c.jpg?itok=Z5Sx4w3G", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/4e9c144f5cb5bed202cb1c683700925c.jpg?itok=LxJSznC-", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/4e9c144f5cb5bed202cb1c683700925c.jpg?itok=EQ7q_kTJ", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/4e9c144f5cb5bed202cb1c683700925c.jpg?itok=GqKMFFS6", "mfid": "4e9c144f5cb5bed202cb1c683700925c", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "全國城隍廟聯誼會", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, "sortable": true, "type": "imgs-child", "weight": 6 } }, "musicName": "無", "weight": 13, "primaryObj": { "oid": "6483eaf574a659ee4540253f8771045d", "title": "鹿港媽祖口罩包裝", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/cfb7dc9a69614c586c8fc94ae9f4711c.jpg?itok=59T7RjaQ", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/cfb7dc9a69614c586c8fc94ae9f4711c.jpg?itok=611IREXd", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/cfb7dc9a69614c586c8fc94ae9f4711c.jpg?itok=O1YunVjr", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/cfb7dc9a69614c586c8fc94ae9f4711c.jpg?itok=vIANW208", "mfid": "cfb7dc9a69614c586c8fc94ae9f4711c", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/cfb7dc9a69614c586c8fc94ae9f4711c.jpg?itok=UGjf2L6d", "fileType": "image", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "0", "fileOversize": false, "level": "primary" }, "title": "台灣廟宇製造的神明公仔", "desc": "<div>隨著全家的好神公仔系列大受歡迎，很多廟宇也紛紛決定製造屬於自己的神明公仔，希望吸引年輕人來拜拜。廟宇公仔也是走可愛路線，但跟便利商店發行的公仔有所不同。像是新港奉天宮的媽祖公仔結合了當地傳統民俗工藝「交趾陶」，並且附贈一包保平安的香火袋。<br></div>", "musicText": "", "musicURL": "" }, "basic-v4lp2ypevi": { "id": "basic-v4lp2ypevi", "type": "basic", "sortable": true, "primaryObj": { "oid": "02877436b36b0e2131ae6fd185e5ecc8", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/325ea705e3c6f92e8d355beba7104137.jpg?itok=13k4sq0q", "level": "primary", "title": "新港奉天宮的文昌君鉛筆、原子筆套", "desc": "The figurine which caps the pen and pencil is of Wen Chang Jun, the god of scholars, and the pen and pencil are the kind stipulated for use in national exams.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/325ea705e3c6f92e8d355beba7104137.jpg?itok=FHB30DuA", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/325ea705e3c6f92e8d355beba7104137.jpg?itok=5MbQecuc", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/325ea705e3c6f92e8d355beba7104137.jpg?itok=4ZdESEjt", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/325ea705e3c6f92e8d355beba7104137.jpg?itok=Qd7uWjHG", "mfid": "325ea705e3c6f92e8d355beba7104137", "musicURL": "", "musicName": "", "fileCreator": "Teri Silvio 司黛蕊", "rights": "新港奉天宮", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, "title": "文昌筆與鉛筆套", "desc": "<div>新港的奉天媽祖宮請專業的設計師設計這一組筆與鉛筆套。其中可拆卸的頂座是一個小巧的文昌君神明人偶。文昌君主掌學業，保佑文運。可以看到鉛筆盒也主打卡通角色形象的文昌君。<br><br>這個組合是專為高中、大學升學考試的學生而製作的，鉛筆正好符合紙筆測驗畫卡掃描的需求，坐在試場中的考生藉此能有文昌君陪伴他們左右。</div><div><br></div>", "musicName": "無", "weight": 14 }, "basic-mnwjjxht91": { "id": "basic-mnwjjxht91", "type": "basic", "sortable": true, "primaryObj": { "oid": "b800be012f3a79f5203ae8c3ac54f554", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/89bd2474311e2de93a19de09eec612ab.jpg?itok=uYDgmY03", "level": "primary", "title": "新港奉天宮媽祖公仔", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/89bd2474311e2de93a19de09eec612ab.jpg?itok=epVWpG6M", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/89bd2474311e2de93a19de09eec612ab.jpg?itok=jB9WeV5c", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/89bd2474311e2de93a19de09eec612ab.jpg?itok=qbxc6Hbs", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/89bd2474311e2de93a19de09eec612ab.jpg?itok=k7NUAopC", "mfid": "89bd2474311e2de93a19de09eec612ab", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "新港奉天宮", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "新港奉天宮的媽祖公仔", "desc": "<span><div>新港奉天宮決定製造Q版媽祖公仔的時候，希望讓這些公仔與廟宇及城市有實際關聯，因此選用當地工藝「交趾陶」為材料，廟方請來製作的交趾陶師傅，與過去數年來在廟宇內製作裝飾的師傅是同一個家族。</div><div><br></div><div>它們的包裝也很特別—外盒上方是空的，裡面有籤可以抽，就像在廟裡面抽籤（全家的好神公仔第二代系列也有可以搖出來的籤）；盒內附贈一包香火袋。</div><div><br></div><div>廟方也會建議購買媽祖公仔的人，在媽祖神像面前把公仔過爐，以祈求媽祖的庇佑。</div></span>", "musicName": "無", "weight": 15, "musicText": "", "musicURL": "", "secondaryObj": { "oid": "504e9b2ec6a4d4656f4140ea2066269b", "fileType": "image", "fileURI": 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"霹靂公司的員工與戲迷，在區分偶的時候，與民間宗教在區分神像時所用的詞彙是一樣的。在攝影棚內演戲的偶叫作「本尊」; 複製用於收藏及展示的就叫「分身」。", "musicText": "", "musicURL": "", "title": "本尊與分身" }, "basic-gxplkoizmb": { "id": "basic-gxplkoizmb", "type": "basic", "sortable": true, "primaryObj": { "oid": "908e5b8f9d88c6fb945947ed2e867fa7", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/a2391d172cb209e96e86bccb2510334a.jpg?itok=OkGfQsYI", "level": "primary", "title": "素還真", "desc": "霹靂公司於2003年發行的13吋木偶，上有總經理兼配音人黃文擇先生的親筆簽名。These puppets were sold through 7-11 convenience stores in 2003. This one is autographed by Vincent Huang.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/a2391d172cb209e96e86bccb2510334a.jpg?itok=mgvE9y94", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/a2391d172cb209e96e86bccb2510334a.jpg?itok=fJGpQg0c", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/a2391d172cb209e96e86bccb2510334a.jpg?itok=kTvNnr4v", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/a2391d172cb209e96e86bccb2510334a.jpg?itok=cZK1-b6C", "mfid": "a2391d172cb209e96e86bccb2510334a", "musicURL": "", "musicName": "", "fileCreator": "Teri Silvio 司黛蕊", "rights": "大霹靂國際整合行銷股份有限公司", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, "title": "「偶像」周邊商品", "desc": "<span>霹靂公司剛開始成立的時候，只製作錄影帶發行。從1990年代末起，他們開始利用Disney與日本動漫的生意模式，也就是混合媒體（media mix）系統，使用各式各樣的媒介去再現霹靂角色。它們於2000年進入電影領域，製作了第一部電影「聖石傳說」。<br><br>霹靂在更早期時，就已經開始出一些相關的周邊商品，譬如圖書、音樂CD等。到了現在，在霹靂的專賣店與購物網站，你可以找到非常多種霹靂相關的周邊商品，包括DVD、配樂CD、角色的大木偶、小公仔、文具、衣服、日常用品等。<br><br>同時霹靂也開始把角色形象的授權出售給其他企業，讓素還真、一頁書等膾炙人口的霹靂角色變成某個飲料、小吃、筆電等商品的代言人。<br><br>像是</span>2003年霹靂公司發行的13吋素還真木偶，對粉絲來說極具收藏價值；而圖中這尊策展人收藏的木偶上有總經理兼配音人黃文擇先生的親筆簽名。", "musicName": "無", "weight": 31, "musicText": "", "musicURL": "" }, "basic-7kkia2oesf": { "id": "basic-7kkia2oesf", "type": "basic", "sortable": true, "primaryObj": { "oid": "b6e407148def5c3dd94364cd1ae24b5b", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/addf6778d474c3a4c8413572fda7b13e.jpg?itok=PXcQA9Nn", "level": "primary", "title": "7-11 霹靂激鬥名鑑系列公仔(二代)，2009年", "desc": "這個系列的霹靂公仔，是日本有名的模型公司海洋堂製造的，在正式販售的第一天就賣光了! 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"thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/93d4826b5a5e298877af89872cd32ca8.jpg?itok=D8ml0TEd", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/93d4826b5a5e298877af89872cd32ca8.jpg?itok=mW6eAGc8", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/93d4826b5a5e298877af89872cd32ca8.jpg?itok=LawjgF0F", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/93d4826b5a5e298877af89872cd32ca8.jpg?itok=yJt9oWWx", "mfid": "93d4826b5a5e298877af89872cd32ca8", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/93d4826b5a5e298877af89872cd32ca8.jpg?itok=NVZLeKFG", "fileType": "image", "fileCreator": "", "rights": "典藏者：司黛蕊", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false, "level": "primary" }, "musicText": "", "musicURL": "", "title": "粉絲二創", "desc": "<div>今天，霹靂公司的周邊商品越來越多元，除了原來布袋戲劇的DVD，也販售音樂CD、文具、T恤、馬克杯、大木偶、小木偶、Q-版公仔…等等商品。</div><div><br></div><div>霹靂迷不只購買公司發行的公仔，他們也會自己動手製作不同霹靂角色造型的娃娃。另外，霹靂迷也會透過不同媒介來創造更多的霹靂人物版本─例如小說或漫畫（同人誌）、cosplay（角色扮演）…等。  </div>" }, "text-2fomoc35bu": { "id": "text-2fomoc35bu", "type": "text", "sortable": true, "musicName": "無", "weight": 36, "title": "霹靂布袋戲角色與民間宗教的神明似乎還有一個共同點─無論是素還真或是關公，他們被再現的風格及再現所用的媒介越多元，他們在信徒或粉絲心中的存在感就越強。", "musicText": "", "musicURL": "" }, "basic-ktuv2ge4jp": { "id": "basic-ktuv2ge4jp", "type": "basic", "sortable": true, "primaryObj": { "oid": "0914e7ff1e7d6c75ca2b36f8c0c9183c", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/6c3096b90e15af9a965a0d795fdc78a3.jpg?itok=uaxNQRWi", "level": "primary", "title": "霹靂角色是怎麼創造出來", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/6c3096b90e15af9a965a0d795fdc78a3.jpg?itok=V-fbHEWI", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/6c3096b90e15af9a965a0d795fdc78a3.jpg?itok=TGxhP4TS", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/6c3096b90e15af9a965a0d795fdc78a3.jpg?itok=HMJAqiAu", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/6c3096b90e15af9a965a0d795fdc78a3.jpg?itok=IuBj974q", "mfid": "6c3096b90e15af9a965a0d795fdc78a3", "musicURL": "", "musicName": "", "fileCreator": "大霹靂國際整合行銷股份有限公司", "rights": "大霹靂國際整合行銷股份有限公司", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, "title": "策展人談霹靂", "desc": "很多人會說霹靂布袋戲可視為最成功的本土娛樂產品之一，因為霹靂公司把傳統布袋戲帶進當代媒體與國際市場。為什麼布袋戲能夠商品化，全球化，卻還維持著被納回非資本主義的民俗文化的潛能？畢竟，清朝的台灣也有皮影戲，可是皮影戲已經幾乎消失了，而布袋戲的活力到底來自哪裡？透過人類學的田野研究，我們可以發現，其實，「偶」那個物和概念對台灣人有它的獨特重要性。<br><br><br>延伸閱讀<br>芭樂人類學〈<b></b>霹靂布袋戲的魅力來自哪裡？「流行文化」的意義〉<i><br></i><a target=\"_blank\" rel=\"nofollow\" href=\"https://guavanthropology.tw/article/6683\">https://guavanthropology.tw/article/6683</a><br>", "musicName": "無", "weight": 37, "musicText": "", "musicURL": "" }, "basic-t5fjj6fsnt": { "id": "basic-t5fjj6fsnt", "type": "basic", "sortable": true, "primaryObj": { "oid": "a438930f00332e5ee2b99da2bdaa2f22", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/3a5965a0d7bbc8a4b81f9b520a669c89.jpg?itok=_pxa1X7M", "level": "primary", "title": "《Puppets, Gods, and Brands》書封", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/3a5965a0d7bbc8a4b81f9b520a669c89.jpg?itok=Ua9NmWsr", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/3a5965a0d7bbc8a4b81f9b520a669c89.jpg?itok=0uCsTSHx", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/3a5965a0d7bbc8a4b81f9b520a669c89.jpg?itok=H62PVTfJ", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/3a5965a0d7bbc8a4b81f9b520a669c89.jpg?itok=ZSrs8BxU", "mfid": "3a5965a0d7bbc8a4b81f9b520a669c89", "musicURL": "", "musicName": "", "fileCreator": "Teri Silvio 司黛蕊", "rights": "Teri Silvio 司黛蕊", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "Puppets, Gods, and Brands: Theorizing the Age of Animation from Taiwan", "desc": "<span><span>策展人Teri Silvio是一位人類學者，本次展覽源於2012年，是其多年研究成果的一部分，已於2019年出版專書<i>Puppets, Gods, and Brands: Theorizing the Age of Animation from Taiwan</i>。（中文版已在進行翻譯，敬請期待）</span><div><br>想知道更多關於書的內容，歡迎參考：<br><span>- <a target=\"_blank\" rel=\"nofollow\" href=\"http://open.spotify.com/episode/5ODyGMD1d7DZrS0ECEUzoy\">Podcast (English)-Taiwan On-Air 空中直播台灣 (2022)</a><br></span><span>- <a target=\"_blank\" rel=\"nofollow\" href=\"http://www.youtube.com/watch?v=-66gmDnoWeQ\">Video(English)-Ballard Institute and Museum of Puppetry Summer Forum #8 (2020)</a><br></span>- <a target=\"_blank\" rel=\"nofollow\" href=\"http://campanthropology.org/2019/11/18/teri-silvio-puppets-gods-brands/?fbclid=IwAR3idCPLhHFwWSHfysltL__yCpXRW6r4sBveJykhS5unZGn2QjNFqcsany4\">Blog(English)- CaMP Anthropology(2019)</a><br><br></div></span>", "musicName": "無", "weight": 38, "musicText": "", "musicURL": "" }, "basic-z7v7nfdaqn": { "id": "basic-z7v7nfdaqn", "type": "basic", "sortable": true, "primaryObj": { "oid": "9289555210ee7aed31237c8d3f219f4f", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/98f8240c3de02fdd83b431c85eda414b.jpg?itok=Ed9bNW93", "level": "primary", "title": "國寶級雕刻師傅徐柄垣的偶頭 Heads of Ou by master carver Hsu Bing-Yuan", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/98f8240c3de02fdd83b431c85eda414b.jpg?itok=_2A5ybK7", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/98f8240c3de02fdd83b431c85eda414b.jpg?itok=020hp-4H", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/98f8240c3de02fdd83b431c85eda414b.jpg?itok=LiEzl42p", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/98f8240c3de02fdd83b431c85eda414b.jpg?itok=KARHW1qa", "mfid": "98f8240c3de02fdd83b431c85eda414b", "musicURL": "", "musicName": "", "fileCreator": "徐柄垣,Teri Silvio 司黛蕊", "rights": "Teri Silvio 司黛蕊", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "偶的生命：尪仔、臺灣與「投射人性」", "desc": "<span><i>Puppets, Gods, and Brands: Theorizing the Age of Animation from Taiwan</i> 一書透過詳細的民族誌描述角色、物體和抽象概念如何被賦予生命、個性和權力——以及人們如何與它們互動——展現了在當代臺灣「投射人性」（animation）的人類學觀點<span>。<br><br>21世紀初可以說是見證了「投射人性」現象的爆炸性增長：卡通人物無處不在，包含電影、電視、電玩以及品牌標誌（logos）。不同文化有不同的投射人性模式，而尪仔（<i>ang-á</i>）是臺灣的模式。  觀察關公的多元再現、神明公仔、偶戲傳統與霹靂布袋戲皆有助於我們思考身體與靈魂、精神力量與物質世界之間的關係。在臺灣的案例可以看到漢人傳統與日、美流行文化融合，揭示在日本的萬物有靈或西方「扮演上帝」之外另一種不同的投射人性模式。</span></span>", "musicName": "無", "weight": 39, "musicText": "", "musicURL": "" }, "img-0tc9i0i52c": { "id": "img-0tc9i0i52c", "type": "img", "sortable": true, "primaryObj": { "oid": "d5a112b9eacc92d33ee0c64f72f8c93e", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/3171a403b58d0ee066a2436bdadb06c6.jpg?itok=W2tMdkEm", "level": "primary", "title": "漢人民間宗教與神像相關書籍", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/3171a403b58d0ee066a2436bdadb06c6.jpg?itok=VrgjTILd", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/3171a403b58d0ee066a2436bdadb06c6.jpg?itok=c3lXrse2", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/3171a403b58d0ee066a2436bdadb06c6.jpg?itok=PdHz7gxv", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/3171a403b58d0ee066a2436bdadb06c6.jpg?itok=pXmzwPKs", "mfid": "3171a403b58d0ee066a2436bdadb06c6", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "Teri Silvio 司黛蕊", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "深入認識漢人民間宗教與神像", "desc": "<b>延伸閱讀：<br><br></b>1. <span>Jordan, David. 1972. <i>Gods, Ghosts, and Ancestors: Folk Religion in a Taiwanese Village</i><span>. Press.<br>2. </span></span><span>Sanger, P. Steven. 1987. <i>History and Magical Power in a Chinese Community</i>.<br>3. </span><span>Howard, Angela Falco, Wu Hung, L i Song, and Yang Hong, eds. 2006. <i>Chinese Sculpture</i><span>.<br>4. </span></span><span>Clart, Philip and Charles B. Jones, eds. 2003 <i>Religion in Modern Taiwan</i>. Duara, Prasenjit. 1988. “<i>Superscribing Symbols: the Myth of Guandi, Chinese God of War.</i>” Journal of Asian Studies<span> 47(4): 778-795.<br></span></span><span>5. Lin, Wei-ping. 2015. <i>Materializing Magic Power: Chinese Popular Religion in Villages and Cities</i><i>.<br></i></span><br><span>（中文）<br></span>1. <span>林瑋嬪 Lin, Wei-ping （2003），〈臺灣漢人的神像：談神如何具象〉，《臺灣人類學刊》1卷2期，頁115-147。<br>2. </span>劉文山 Liu, Wensan（1981），《台灣神像藝術》。", "musicName": "無", "weight": 40, "musicText": "", "musicURL": "" }, "img-xbe086uw76": { "id": "img-xbe086uw76", "type": "img", "sortable": true, "primaryObj": { "oid": "d300709d768e2aa01b2cf4ad775f55bd", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/37e87f4b621fc28e25072ec0291dd3b8.jpg?itok=Azvl9xBc", "level": "primary", "title": "布袋戲相關書籍", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/37e87f4b621fc28e25072ec0291dd3b8.jpg?itok=JI3SmcrH", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/37e87f4b621fc28e25072ec0291dd3b8.jpg?itok=1vKIDsgO", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/37e87f4b621fc28e25072ec0291dd3b8.jpg?itok=99CtgdWi", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/37e87f4b621fc28e25072ec0291dd3b8.jpg?itok=4c1ikA4U", "mfid": "37e87f4b621fc28e25072ec0291dd3b8", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "Teri Silvio 司黛蕊", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "深入認識布袋戲與霹靂布袋戲", "desc": "<span><b>延伸閱讀：</b><br><br></span><span>1. 江武昌Wuchang Jiang（1990），〈布袋戲簡史〉，《民俗曲藝》，67／68期，頁88-126。 <br></span>2. <span>陳斐雯Chen Feiwen（1997），《霹靂英雄大補帖：最喜愛的布袋戲人物》。<br>3. </span><span>吳明德Wu Mingde（2005），《台灣布袋戲表演藝術之美》。<br>4. </span><span>劉元立Liu Yuanli（2005），《台灣布袋戲與傳統文化創意產業研討會論文集》。<br>5. </span><span>陳龍廷Chen Longting（2007），《台灣布袋戲發展史》。<br></span><span>6. 司黛蕊 Teri Silvio（2019）, <i>Puppets, Gods, and Brands: Theorizing the Age of Animation from Taiwan<br></i></span>7. <span>Robin Ruizendaal（2006）, <i>Marionette Theater in Quanzhou.<br></i>8. </span><span>Roberta Stalberg（1984）, <span><i>China’s Puppets.</i> </span></span><i><br></i>", "musicName": "無", "weight": 41, "musicText": "", "musicURL": "" }, "basic-pv0eld9ci3": { "id": "basic-pv0eld9ci3", "type": "basic", "sortable": true, "primaryObj": { "oid": "c65ee4471582532d66ee6d669424cbde", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/d68043fb718fcd639ad180f6c11fab03.jpg?itok=BRJMVE8a", "level": "primary", "title": "2012年〈偶的世界，偶的魅力〉實體展示海報", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/d68043fb718fcd639ad180f6c11fab03.jpg?itok=b4ZLCyb_", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/d68043fb718fcd639ad180f6c11fab03.jpg?itok=wzt8q-sW", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/d68043fb718fcd639ad180f6c11fab03.jpg?itok=g8QNQirV", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/d68043fb718fcd639ad180f6c11fab03.jpg?itok=0-ps_WyL", "mfid": "d68043fb718fcd639ad180f6c11fab03", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "策展人的話", "desc": "<div>從文化人類學的角度來看, 偶為我們打開了一扇特殊的窗戶。透過偶，我們看見了不同人對物質與靈魂、宗教與商業、傳統與創意的不同概念。</div><div><br></div><div>偶是一種媒介，可以跨宗教、政治、經濟、藝術、娛樂等領域的界線。</div><br><br>延伸閱讀<br>芭樂人類學〈偶的世界，偶的魅力〉<br><a target=\"_blank\" rel=\"nofollow\" 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來源

頭社年度儀式:農曆十月十五日1997年

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偶的世界．偶的魅力

偶的世界．偶的魅力

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